1 00:00:00,440 --> 00:00:04,829 [Music] 2 00:00:04,829 --> 00:00:04,839 [Music] 3 00:00:04,839 --> 00:00:06,749 [Music] I'll<00:00:05.000> be<00:00:05.160> honest<00:00:05.600> I<00:00:05.720> didn't<00:00:06.000> care<00:00:06.200> for<00:00:06.359> Dune 4 00:00:06,749 --> 00:00:06,759 I'll be honest I didn't care for Dune 5 00:00:06,759 --> 00:00:09,190 I'll be honest I didn't care for Dune part<00:00:07.000> one<00:00:07.399> it<00:00:07.520> was<00:00:07.720> long<00:00:08.400> barely<00:00:08.760> anything 6 00:00:09,190 --> 00:00:09,200 part one it was long barely anything 7 00:00:09,200 --> 00:00:11,190 part one it was long barely anything happened<00:00:09.679> because<00:00:09.880> it<00:00:09.960> was<00:00:10.120> all<00:00:10.280> set<00:00:10.480> up<00:00:11.040> and 8 00:00:11,190 --> 00:00:11,200 happened because it was all set up and 9 00:00:11,200 --> 00:00:12,509 happened because it was all set up and when<00:00:11.360> we<00:00:11.440> were<00:00:11.639> finally<00:00:11.920> getting<00:00:12.160> somewhere 10 00:00:12,509 --> 00:00:12,519 when we were finally getting somewhere 11 00:00:12,519 --> 00:00:14,869 when we were finally getting somewhere good<00:00:12.960> the<00:00:13.080> film<00:00:13.440> abruptly<00:00:14.000> stops<00:00:14.440> and<00:00:14.599> leaves 12 00:00:14,869 --> 00:00:14,879 good the film abruptly stops and leaves 13 00:00:14,879 --> 00:00:18,109 good the film abruptly stops and leaves us<00:00:15.040> with<00:00:15.160> a<00:00:15.320> big<00:00:15.599> 2B<00:00:16.240> continued<00:00:17.240> luckily<00:00:17.920> the 14 00:00:18,109 --> 00:00:18,119 us with a big 2B continued luckily the 15 00:00:18,119 --> 00:00:19,990 us with a big 2B continued luckily the action<00:00:18.439> and<00:00:18.640> storytelling<00:00:19.320> we<00:00:19.400> were<00:00:19.600> craving 16 00:00:19,990 --> 00:00:20,000 action and storytelling we were craving 17 00:00:20,000 --> 00:00:26,189 action and storytelling we were craving in<00:00:20.119> the<00:00:20.320> first<00:00:20.640> movie<00:00:21.279> is<00:00:21.560> all<00:00:21.840> in<00:00:22.039> Dune<00:00:22.400> part 18 00:00:26,189 --> 00:00:26,199 19 00:00:26,199 --> 00:00:30,550 two<00:00:27.199> it's<00:00:28.039> okay<00:00:29.039> I'm<00:00:29.320> here<00:00:29.679> I'm<00:00:29.840> here<00:00:30.400> the 20 00:00:30,550 --> 00:00:30,560 two it's okay I'm here I'm here the 21 00:00:30,560 --> 00:00:32,190 two it's okay I'm here I'm here the second<00:00:30.880> installment<00:00:31.439> picks<00:00:31.679> up<00:00:31.880> where<00:00:32.000> it 22 00:00:32,190 --> 00:00:32,200 second installment picks up where it 23 00:00:32,200 --> 00:00:34,430 second installment picks up where it left<00:00:32.439> off<00:00:32.840> with<00:00:33.040> Paul<00:00:33.360> uniting<00:00:33.800> with<00:00:33.960> shaie 24 00:00:34,430 --> 00:00:34,440 left off with Paul uniting with shaie 25 00:00:34,440 --> 00:00:36,350 left off with Paul uniting with shaie and<00:00:34.520> the<00:00:34.640> Freeman<00:00:35.120> to<00:00:35.280> seek<00:00:35.559> revenge<00:00:36.040> against 26 00:00:36,350 --> 00:00:36,360 and the Freeman to seek revenge against 27 00:00:36,360 --> 00:00:38,229 and the Freeman to seek revenge against the<00:00:36.520> conspirators<00:00:37.399> who<00:00:37.559> destroyed<00:00:38.040> his 28 00:00:38,229 --> 00:00:38,239 the conspirators who destroyed his 29 00:00:38,239 --> 00:00:40,630 the conspirators who destroyed his family<00:00:39.120> director<00:00:39.480> and<00:00:39.680> co-writer<00:00:40.239> Deni 30 00:00:40,630 --> 00:00:40,640 family director and co-writer Deni 31 00:00:40,640 --> 00:00:42,910 family director and co-writer Deni villanu<00:00:41.360> properly<00:00:41.800> brings<00:00:42.200> this<00:00:42.480> science 32 00:00:42,910 --> 00:00:42,920 villanu properly brings this science 33 00:00:42,920 --> 00:00:45,709 villanu properly brings this science fiction<00:00:43.280> novel<00:00:43.840> to<00:00:44.079> life<00:00:44.879> beginning<00:00:45.320> with<00:00:45.520> the 34 00:00:45,709 --> 00:00:45,719 fiction novel to life beginning with the 35 00:00:45,719 --> 00:00:48,389 fiction novel to life beginning with the mesmerizing<00:00:46.520> World<00:00:46.840> he's<00:00:47.120> created<00:00:48.039> desert 36 00:00:48,389 --> 00:00:48,399 mesmerizing World he's created desert 37 00:00:48,399 --> 00:00:50,670 mesmerizing World he's created desert sand<00:00:48.800> has<00:00:49.039> never<00:00:49.320> looked<00:00:49.680> this<00:00:49.920> attractive 38 00:00:50,670 --> 00:00:50,680 sand has never looked this attractive 39 00:00:50,680 --> 00:00:52,709 sand has never looked this attractive swirling<00:00:51.280> through<00:00:51.440> the<00:00:51.600> winds<00:00:52.160> and<00:00:52.399> fight 40 00:00:52,709 --> 00:00:52,719 swirling through the winds and fight 41 00:00:52,719 --> 00:00:54,750 swirling through the winds and fight sequences<00:00:53.559> paired<00:00:53.960> with<00:00:54.079> a<00:00:54.199> roaring 42 00:00:54,750 --> 00:00:54,760 sequences paired with a roaring 43 00:00:54,760 --> 00:00:56,950 sequences paired with a roaring soundtrack<00:00:55.520> that<00:00:55.600> will<00:00:55.760> make<00:00:55.879> you<00:00:56.160> truly<00:00:56.600> feel 44 00:00:56,950 --> 00:00:56,960 soundtrack that will make you truly feel 45 00:00:56,960 --> 00:00:59,150 soundtrack that will make you truly feel as<00:00:57.039> if<00:00:57.160> you<00:00:57.280> were<00:00:57.520> in<00:00:57.719> the<00:00:57.920> movie<00:00:58.680> The<00:00:58.800> set<00:00:58.960> is 46 00:00:59,150 --> 00:00:59,160 as if you were in the movie The set is 47 00:00:59,160 --> 00:01:01,470 as if you were in the movie The set is immersive<00:00:59.960> and<00:01:00.120> the<00:01:00.280> work<00:01:00.840> especially<00:01:01.320> the 48 00:01:01,470 --> 00:01:01,480 immersive and the work especially the 49 00:01:01,480 --> 00:01:03,830 immersive and the work especially the cinematography<00:01:02.359> by<00:01:02.519> Greg<00:01:02.760> Frasier<00:01:03.519> that<00:01:03.680> has 50 00:01:03,830 --> 00:01:03,840 cinematography by Greg Frasier that has 51 00:01:03,840 --> 00:01:06,550 cinematography by Greg Frasier that has gone<00:01:04.040> into<00:01:04.400> this<00:01:04.720> imaginative<00:01:05.560> Society<00:01:06.320> is 52 00:01:06,550 --> 00:01:06,560 gone into this imaginative Society is 53 00:01:06,560 --> 00:01:09,429 gone into this imaginative Society is engaging<00:01:07.240> without<00:01:07.560> any<00:01:07.920> dialogue<00:01:08.520> or<00:01:08.840> action 54 00:01:09,429 --> 00:01:09,439 engaging without any dialogue or action 55 00:01:09,439 --> 00:01:11,590 engaging without any dialogue or action now<00:01:09.680> add<00:01:09.920> an<00:01:10.159> exciting<00:01:10.640> story<00:01:10.960> that<00:01:11.080> features 56 00:01:11,590 --> 00:01:11,600 now add an exciting story that features 57 00:01:11,600 --> 00:01:14,789 now add an exciting story that features romance<00:01:12.320> rival<00:01:12.759> Royal<00:01:13.159> houses<00:01:13.960> betrayal 58 00:01:14,789 --> 00:01:14,799 romance rival Royal houses betrayal 59 00:01:14,799 --> 00:01:17,710 romance rival Royal houses betrayal intense<00:01:15.360> battles<00:01:15.920> and<00:01:16.119> giant<00:01:16.520> sandworms<00:01:17.520> then 60 00:01:17,710 --> 00:01:17,720 intense battles and giant sandworms then 61 00:01:17,720 --> 00:01:19,510 intense battles and giant sandworms then you've<00:01:17.880> got<00:01:18.000> a<00:01:18.200> blockbuster<00:01:18.840> worth<00:01:19.119> paying<00:01:19.400> to 62 00:01:19,510 --> 00:01:19,520 you've got a blockbuster worth paying to 63 00:01:19,520 --> 00:01:22,149 you've got a blockbuster worth paying to see<00:01:19.720> in<00:01:19.920> theaters<00:01:20.880> granted<00:01:21.479> the<00:01:21.600> film<00:01:21.880> may<00:01:22.000> be 64 00:01:22,149 --> 00:01:22,159 see in theaters granted the film may be 65 00:01:22,159 --> 00:01:24,109 see in theaters granted the film may be hard<00:01:22.320> to<00:01:22.479> follow<00:01:22.880> at<00:01:23.040> times<00:01:23.400> because<00:01:23.640> there<00:01:23.799> is 66 00:01:24,109 --> 00:01:24,119 hard to follow at times because there is 67 00:01:24,119 --> 00:01:27,789 hard to follow at times because there is a<00:01:24.400> lot<00:01:24.799> going<00:01:25.040> on<00:01:25.720> but<00:01:26.119> the<00:01:26.320> 2hour<00:01:26.960> and<00:01:27.200> 46 68 00:01:27,789 --> 00:01:27,799 a lot going on but the 2hour and 46 69 00:01:27,799 --> 00:01:29,670 a lot going on but the 2hour and 46 minute<00:01:28.079> run<00:01:28.360> time<00:01:28.920> might<00:01:29.119> help<00:01:29.320> you 70 00:01:29,670 --> 00:01:29,680 minute run time might help you 71 00:01:29,680 --> 00:01:31,469 minute run time might help you understand<00:01:30.159> what's<00:01:30.400> going<00:01:30.600> on<00:01:30.799> at<00:01:30.920> a<00:01:31.119> steady 72 00:01:31,469 --> 00:01:31,479 understand what's going on at a steady 73 00:01:31,479 --> 00:01:33,429 understand what's going on at a steady Pace<00:01:32.280> I<00:01:32.399> still<00:01:32.600> think<00:01:32.799> the<00:01:32.880> movie<00:01:33.159> could<00:01:33.280> have 74 00:01:33,429 --> 00:01:33,439 Pace I still think the movie could have 75 00:01:33,439 --> 00:01:35,550 Pace I still think the movie could have been<00:01:33.560> trimmed<00:01:33.960> down<00:01:34.560> but<00:01:34.720> fans<00:01:34.960> of<00:01:35.079> the<00:01:35.240> novel 76 00:01:35,550 --> 00:01:35,560 been trimmed down but fans of the novel 77 00:01:35,560 --> 00:01:37,710 been trimmed down but fans of the novel will<00:01:35.880> no<00:01:36.119> doubt<00:01:36.439> appreciate<00:01:37.000> the<00:01:37.159> time<00:01:37.439> spent 78 00:01:37,710 --> 00:01:37,720 will no doubt appreciate the time spent 79 00:01:37,720 --> 00:01:40,350 will no doubt appreciate the time spent on<00:01:37.960> this<00:01:38.280> adaptation<00:01:39.280> deal<00:01:39.960> with<00:01:40.119> this 80 00:01:40,350 --> 00:01:40,360 on this adaptation deal with this 81 00:01:40,360 --> 00:01:43,670 on this adaptation deal with this Prophet<00:01:41.320> send<00:01:41.880> assassins<00:01:42.880> I'd<00:01:43.040> be<00:01:43.240> remiss<00:01:43.560> if 82 00:01:43,670 --> 00:01:43,680 Prophet send assassins I'd be remiss if 83 00:01:43,680 --> 00:01:45,429 Prophet send assassins I'd be remiss if I<00:01:43.759> didn't<00:01:44.000> Rave<00:01:44.280> about<00:01:44.600> all<00:01:44.719> the<00:01:45.000> powerful 84 00:01:45,429 --> 00:01:45,439 I didn't Rave about all the powerful 85 00:01:45,439 --> 00:01:47,950 I didn't Rave about all the powerful performances<00:01:46.119> in<00:01:46.240> the<00:01:46.399> film<00:01:46.920> Timothy<00:01:47.320> shalam 86 00:01:47,950 --> 00:01:47,960 performances in the film Timothy shalam 87 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haunting Reverend mother Javier Bardem 95 00:01:58,520 --> 00:02:01,149 a haunting Reverend mother Javier Bardem brings<00:01:58.799> the<00:01:59.039> much<00:01:59.280> needed<00:01:59.880> I<00:02:00.200> relief<00:02:00.880> and 96 00:02:01,149 --> 00:02:01,159 brings the much needed I relief and 97 00:02:01,159 --> 00:02:03,630 brings the much needed I relief and Austin<00:02:01.560> Butler<00:02:02.000> is<00:02:02.119> an<00:02:02.640> unrecognizable 98 00:02:03,630 --> 00:02:03,640 Austin Butler is an unrecognizable 99 00:02:03,640 --> 00:02:06,270 Austin Butler is an unrecognizable standout<00:02:04.640> figuratively<00:02:05.520> and<00:02:05.759> literally 100 00:02:06,270 --> 00:02:06,280 standout figuratively and literally 101 00:02:06,280 --> 00:02:08,910 standout figuratively and literally slaying<00:02:06.840> as<00:02:06.960> an<00:02:07.200> almost<00:02:07.640> demonic<00:02:08.239> villain<00:02:08.640> you 102 00:02:08,910 --> 00:02:08,920 slaying as an almost demonic villain you 103 00:02:08,920 --> 00:02:11,470 slaying as an almost demonic villain you can't<00:02:09.200> look<00:02:09.479> away<00:02:09.759> from<00:02:10.360> needless<00:02:10.840> to<00:02:11.039> say 104 00:02:11,470 --> 00:02:11,480 can't look away from needless to say 105 00:02:11,480 --> 00:02:13,830 can't look away from needless to say Dune<00:02:11.879> part<00:02:12.120> two<00:02:12.480> was<00:02:12.760> well<00:02:13.040> worth<00:02:13.280> the<00:02:13.440> wait 106 00:02:13,830 --> 00:02:13,840 Dune part two was well worth the wait 107 00:02:13,840 --> 00:02:16,550 Dune part two was well worth the wait and<00:02:14.040> exceeds<00:02:14.640> all<00:02:15.000> expectations<00:02:16.000> leaving<00:02:16.319> you 108 00:02:16,550 --> 00:02:16,560 and exceeds all expectations leaving you 109 00:02:16,560 --> 00:02:18,190 and exceeds all expectations leaving you thirsty<00:02:17.000> for 110 00:02:18,190 --> 00:02:18,200 thirsty for 111 00:02:18,200 --> 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